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Exorcise​/​Exercise (Guided Improvisations for Voice and Haegum)

by Fahad Siadat

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1.
Exhale 05:55
2.
3.
4.
Interlude 01:08
5.
6.
7.
Inhale 12:29

about

For those who have trained in classical performance practice, expertise often comes with the weight of history and tradition filled with expectations and assumptions about what is appropriate and good.

How might we honor and build upon our traditional training as performers and composers without being weighed down by it? How do we exercise these cultivated skills while exorcising ourselves of the burdensome expectations that inhibit exploration and creativity?

This series of guided, improvised duets explores a series of contrasting dualities (male/female, voice/instrument, east/west, traditional/experimental) in hopes of finding hidden third ways between and beyond such binaries.

-Fahad Siadat and Jeonghyeon Joo

www.fahadsiadat.com / www.jeonghyeonjoo.com

credits

released May 7, 2021

Voice Fahad Siadat
Haegeum Jeonghyeon Joo
Recording David Saldaña
Mixing Jungin Park
Mastering Jeongmyun Lee
Design Taimin Ahn
DDD Special thanks to First Congregational Church of Los Angeles.

Recorded at First Congregational Church of Los Angeles, November 13th 2019 2021􏰀&© Fahad Siadat and Jeonghyeon Joo. All Rights Reserved. Distributed by 4Tay Records (US) and Sound Press (KOR).
Copyright subsists in all recordings issued under this label. Printed in the United States.
저작권 보호를 받는 음반으로 허가받지 않은 형태의 복사, 복제, 대여, 공공장소에서의 공연 및 상영은 금지됩니다.
4Tay Records 45 Grant Avenue, Farmingdale, NY 11735 USA Tel: 516-586-3433 jamesarts.com

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all rights reserved

tags

about

Fahad Siadat Los Angeles, California

Fahad Siadat is a performer-composer and an advocate of new and innovative vocal music who creates interdisciplinary works, folding words, sound, and movement into ritualistic narratives. His work is described as “hypnotic” (Backstage) and having “a sophisticated harmonic vocabulary” (San Diego Story). His music has been performed in Europe, China, and across the United States. ... more

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